My work moves at the intersection of fashion, texture and digital construction.

​

It doesn’t follow a traditional approach to pattern design. Instead, it focuses on transforming visual matter. Textures, photographic fragments and painted elements are collected and then manipulated, layered and reconstructed into what I define as constructed surfaces. These are compositions that behave more like textile systems than static graphics.

​

Each piece begins with raw material. Through processes of mirroring, distortion, repetition and layering, new structures emerge, balancing organic unpredictability with geometric control.

​

With a background in fashion design, graphic design and editorial image-making, the work is naturally driven by narrative. Collections are developed as cohesive visual languages that can move across garments, adapt to different applications and shape the identity of a brand.